LEXIE CANNES STATE OF TRANS — Laverne Cox’s gorgeous nude photo shoot for Allure magazine crossed my desk earlier today around the same time I was considering whether it would be worthwhile to respond to the now-controversial “schlumpy” op-ed published earlier this week in The Advocate. This juxtaposition made its own decision — I’ll cover them both here and let the community hash it out.
On the third try, Allure magazine convinced trans woman Laverne Cox to pose nude for them. The photo and article came just recently. The star of the TV series “Orange Is the New Black” said this in Allure about agreeing to the shoot:
“. . . I’m a black transgender woman. I felt this could be really powerful for the communities that I represent. Black women are not often told that we’re beautiful unless we align with certain standards. Trans women certainly are not told we’re beautiful. Seeing a black transgender woman embracing and loving everything about herself might be inspiring to some other folks. . . .”
Meanwhile, in an op-ed piece in The Advocate earlier this week, Riki Wilchins zeroed in on the use of “schlumpy, older person” to portray trans characters on TV or in movies. Her prime target — the Golden Globe winning show “Transparent.”
Wilchins in The Advocate: “I’m thoroughly sick of seeing the face of Jeffrey Tambor slathered in ruby-red lipstick and topped with a wig on the home page every time I log on [to Amazon’s Prime]. Whenever I see Tambor’s visage, I’m reminded of Jennifer Finney Boylan’s recent New York Times column that tapped into this zeitgeist of admiring Transparent‘s use of a “schlumpy, older person rather than a gorgeous [transgender] fashion model” to make its portrayal edgy and real.”
Wilchins cited Tom Wilkinson, Terence Stamp and John Lithgow as examples of ‘schlumpy older persons” portraying trans people. She thinks many productions go out of their way to make trans characters delibrately look transgender to meet “normal” requirements set by producers. She noted Jared Leto and Felicity Huffman are somewhat of exceptions to this rule.
Wilchins: “Whenever we appear, cisgenders need to be reassured that we’re never, ever “normal.” We can never be more than our bodies and we must always appear as visibly, comfortably, reliably different.”
While I appreciate Wilchins opening the door to this line of discussion, IMO, for every “schlump”, we get a “Kim Foyle” (Different for Girls), “Kitten Braden” (Breakfast on Pluto) or “Sophia Burset” (Laverne Cox in Orange is the New Black).
My earlier article on “Transparent”: https://lexiecannes.com/2015/01/11/transparent-golden-globe-winners-thanks-trans-community-dedicates-award-to-leelah-alcorn/
My article on why trans roles don’t go to trans actors: https://lexiecannes.com/2014/03/03/moving-on-from-jared-leto-why-trans-actors-dont-usually-get-trans-roles/
Watch LEXIE CANNES right now: http://www.amazon.com/Lexie-Cannes-CourtneyODonnell/dp/B00KEYH3LQ Or get the DVD: http://www.amazon.com/gp/product/0963781332
Read Lexie Cannes in The Huffington Post: http://www.huffingtonpost.com/courtney-odonnell/
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